McGlue is a drunken sailor accused of murdering his friend Johnson, and is being held on a ship where his captors await his confession.
The "plot" of the book follows McGlue's menadering thoughts and memories, his revelations about his own identity, and actions, perpetuating by his awful alchoholism and head injury. McGlue becomes hysterical, drunk, violent, and goes in and out of his own stupor multiple times.
The conclusion of the book follows McGlue's confirmation of his, at least somewhat, romantic relationship with Johnson. and the murder. McGlue himself goes through a death of some sort, not yet still confirmed as he is an unreliable narrator.
"Hell hides in the ditch and my eyes are dry." (pg. 19)
"Everything inside is perfectly clear: all the cringey nerves and blood, swimming vessels puckered and empty and breath blowing for nothing and bones just creaking, mad, swaying like strained and knotted rope, like my shoulders, my jaw, all held in place so tight they're about to snap." (pg. 63)
"Nobody knows how cruel I'd like to be." (pg. 86)
"This I remember."
5 stars - the themes, prose, and general affect is striking, thought provoking, and beautiful. Moshfegh at her best.
Honoré Daumier. Two Drinkers, ca. 1860.
Self-destruction in itself is addictive, and often when addicts are urged to become sober they are reminded of the people they have hurt. This tactic is often only resorted to when the person in the depths of addiction has absolutely no interest in improving their own life, they essentially are suicidal. The logic is that while the addict doesn't give a shit about their own well-being, they care about others, and will help them. I've personally always hated this part of recovery because to become sober, to go through the horror of withdrawal all for another person and not even for your own benefit just seems cruel. The resentment that brews and the misery one stews in when getting sober for another person is torturous, and one that Moshfegh explores perfectly.
Moshfegh's ability to write grossly is perfectly exemplified in this novella. I have seriously not come across a single author who can write lines as gross as she, and the craft in it doesn't even come from the content Moshfegh illustrates. Moshfegh takes the simple facts of the human body, a ship, drink, hatred, and even love, and communicates those concepts to the reader in a way that causes skin to crawl, hairs to raise. I have seen this ability to write grossly in Ellis's American Psycho, though that was when describing objectively disgusting murders and murderous rage, which are, compared to Moshfegh's topics, much easier to write grossly about. This is not to discount another author's abilities but to highlight the skill and artistry that Moshfegh holds.
Having read My Year of Rest and Relaxation a few years prior, I could not help but find some similarities between the way Moshfeghs writes the friendship between MYORAR's narrator and Reva's friendship and the friendship between McGlue and Johnson. Surprisingly there are many of the same dynamics, but more specifically the personalities of Reva and Johnson seem to follow similar tracks. Johnson, similarly to Reva, is obsessed with perfecting his effect on the world, while being extremely insecure and self-loathing. Also similarly, Johnson and Reva are both, effectively, in love with their counterpart for the majority of the story. Expressing narcissistic concern and jealousy in the fascinating ways that both gay men and young women seem to use their social acumen.
I don't have an extreme amount to say about the romantic nature of McGlue and Johnson's relationship as I don't really see it as relevant to their full relationship. In an interview, Moshfegh herself admitted she didn't even know the characters would be in love until the end of the book, and I think that makes a lot of sense. A relationship like McGlue and Johnson's transcends, and I know this sounds pretentious, typical labels of romance, friendship, or gay. They love each other, they need each other, and it is a relationship so incredibly complex that I couldn't even begin to dissect it even on my own website, let alone call it a romantic one.